求达西在晨曦中对伊莉莎白表白的那短话的英文版！就是“我爱，我爱，我爱你”的那段。

1183

01:49:33,080 --> 01:49:35,799

- I couldn't sleep

- Nor I My aunt

1184

01:49:35,960 --> 01:49:38,997

Yes, she was here

1185

01:49:39,160 --> 01:49:42,197

How can I ever make amends

for such behaviour

1186

01:49:42,360 --> 01:49:44,635

After what you've done for Lydia

1187

01:49:44,800 --> 01:49:47,997

and, I suspect, for Jane,

it is I who should be making amends

1188

01:49:49,200 --> 01:49:53,876

You must know

Surely you must know it was all for you

1189

01:49:56,240 --> 01:49:59,277

You are too generous to trifle with me

1190

01:49:59,440 --> 01:50:02,716

You spoke with my aunt last night

and it has taught me to hope

1191

01:50:02,880 --> 01:50:05,474

as I'd scarcely allowed myself before

1192

01:50:06,880 --> 01:50:11,715

If your feelings are still what they

were last April, tell me so at once

1193

01:50:11,880 --> 01:50:14,758

My affections and wishes

have not changed

1194

01:50:14,960 --> 01:50:17,997

But one word from you

will silence me for ever

1195

01:50:23,000 --> 01:50:27,118

lf, however,

your feelings have changed

1196

01:50:29,800 --> 01:50:31,916

I would have to tell you,

1197

01:50:32,120 --> 01:50:34,839

you have bewitched me,

body and soul, and I love

1198

01:50:35,000 --> 01:50:37,958

I love I love you

1199

01:50:38,120 --> 01:50:40,953

I never wish to be parted

from you from this day on

1200

01:50:52,160 --> 01:50:53,798

Well, then

1201

01:50:58,520 --> 01:51:01,080

Your hands are cold

1202

01:51:43,600 --> 01:51:45,477

Shut the door, please

1203

01:51:55,960 --> 01:52:01,239

Lizzie, are you out of your senses

I thought you hated the man

1204

01:52:01,400 --> 01:52:06,235

- No, Papa

- He is rich, to be sure

1205

01:52:06,440 --> 01:52:10,115

And you will have

more fine carriages than Jane

1206

01:52:10,280 --> 01:52:12,635

But will that make you happy

1207

01:52:12,840 --> 01:52:16,753

Have you no other objection

than your belief in my indifference

1208

01:52:16,920 --> 01:52:19,036

None at all

1209

01:52:19,200 --> 01:52:23,876

We all know him to be

a proud, unpleasant sort of fellow

1210

01:52:24,080 --> 01:52:26,355

But this would be nothing

if you liked him

1211

01:52:26,520 --> 01:52:28,158

I do like him

1212

01:52:30,480 --> 01:52:31,959

I love him

1213

01:52:34,960 --> 01:52:39,476

He's not proud I was wrong

I was entirely wrong about him

1214

01:52:42,720 --> 01:52:45,917

You don't know him, Papa

If I told you what he was really like,

1215

01:52:46,120 --> 01:52:47,235

what he's done

1216

01:52:48,200 --> 01:52:50,156

What has he done

1217

01:52:57,920 --> 01:53:01,515

But she doesn't like him

I thought she didn't like him

1218

01:53:01,720 --> 01:53:05,235

So did I So did we all

1219

01:53:05,400 --> 01:53:07,994

We must have been wrong

1220

01:53:08,160 --> 01:53:13,473

- It won't be the first time, will it

- No, nor the last, I dare say

1221

01:53:18,760 --> 01:53:20,478

Good Lord

1222

01:53:23,000 --> 01:53:26,879

- I must pay him back

- No

1223

01:53:27,040 --> 01:53:30,476

You mustn't tell anyone

He wouldn't want it

1224

01:53:30,680 --> 01:53:34,798

We misjudged him, Papa

Me more than anyone In every way

1225

01:53:35,000 --> 01:53:38,197

Not just in this matter

1226

01:53:38,360 --> 01:53:40,920

I've been nonsensical

1227

01:53:41,080 --> 01:53:45,835

But he's been a fool about Jane,

about so many other things

1228

01:53:46,040 --> 01:53:49,316

But then, so have I

1229

01:53:52,120 --> 01:53:54,759

You see, he and I are

1230

01:53:56,920 --> 01:53:59,957

He and I are so similar

1231

01:54:00,160 --> 01:54:03,357

We're both so stubborn

1232

01:54:04,960 --> 01:54:06,598

Papa, I

1233

01:54:10,400 --> 01:54:12,675

You really do love him, don't you

1234

01:54:14,080 --> 01:54:16,275

Very much

1235

01:54:20,520 --> 01:54:26,038

I cannot believe

that anyone can deserve you

1236

01:54:26,200 --> 01:54:30,239

But it seems I am overruled

1237

01:54:30,400 --> 01:54:34,837

So I heartily give my consent

1238

01:54:42,880 --> 01:54:47,556

I could not have parted with you,

my Lizzie, to anyone less worthy

1239

01:54:50,760 --> 01:54:51,715

Thank you

1240

01:55:05,120 --> 01:55:09,557

If any young men come for Mary or Kitty,

for heaven's sake, send them in

1241

01:55:09,760 --> 01:55:12,194

I'm quite at my leisure

建安文学的代表有“三曹”、“七子”和蔡琰等。

曹操（155-220），字孟德，既是杰出的军事家、政治家，也是一位诗人，今存诗20余首。他的一部分诗真实反映了汉末动乱的社会现实和百姓的苦难。如《蒿里行》记录了汉末董卓之乱前后最黑暗混乱的一段历史，描绘了军阀争权夺势所造成的悲惨现实：“铠甲生虮虱，万姓以死亡。白骨露于野，千里无鸡鸣。生民百遗一，念之断人肠。”另一部分诗抒发了他的人生抱负和统一天下的雄心大志。如《观沧海》写登临碣石眺望大海的所见所感，展现了作者吞吐宇宙的气概和宽广博大的胸怀；《龟虽寿》抒写了年命有尽而老当益壮的积极进取精神；《短歌行》抒发了求贤若渴的心情和建功立业的决心。曹操创造性地用乐府古题写时事，如《薤露行》、《蒿里行》本是送葬时的挽歌，在曹操笔下却以其反映现实的鲜明性被称为“汉末实录”。此外，他的四言诗为已经僵化板滞的形式注入新的活力。曹操不仅用自己的创作开风气之先，而且以其对文学的倡导，为建安文学的繁荣和发展做出了贡献。曹操的散文最突出地体现了迥异于汉代的清峻、通脱、华美、壮大的风格。他的代表作《让县自明本志令》、《举贤勿拘品行令》都写得朴素自然，清峻简约,不受礼法约束，不加雕饰，直抒胸怀，情真意切。

曹丕（187-226），字子桓，是曹操次子，于公元220年废汉献帝自立，是为魏文帝。现存诗约40首，形式多样，四言、五言、六言、七言、杂言无所不备，多为对人生感慨的抒发和人生哲理的思考。题材上除一部分写游赏之乐的宴游诗外，以表现游子行役思亲怀乡、征人思妇相思离别居多。借传统题材表现了世积乱离、风衰俗怨的时代气氛，以及人生多故的伤离悯乱。风格清丽婉约。最著名的是《燕歌行》二首，为我国现存最早的完整的七言诗，对后代歌行体诗的发展产生了重大的影响。其一描写女子在凄凉的秋夜里辗转难寐，思念远人，细腻委婉，缠绵悱恻，传诵不衰。曹丕文章的语言渐趋华美，排偶气息和抒情意味都比较浓重，代表了文章由质趋华的倾向。如《与吴质书》在追念旧游、感伤逝者中，描绘出友人的情怀与自己疏放的性情。感情凄怆真挚，语言流畅婉转，文笔清秀隽丽，是一篇含蓄深情，情文并茂的杰作。

曹植（192-232），字子建，为曹操第四子，天资聪颖，才华过人。现存诗90多首，创作以建安二十五年为界，分为前后两期。其前期作品主要有两类，一类感时伤乱，如《送应氏》二首写洛阳荒芜残破景象，《泰山梁甫吟》写边海人民极端贫苦的生活，都流露出对百姓的深切同情。另一类抒发建功立业的理想抱负，洋溢着乐观、浪漫的情调。如《白马篇》借英姿飒爽、急赴国难的幽并游侠儿的形象，表达了自己“捐躯赴国难，视死忽如归”的豪迈感情。后期主要抒写自己遭遣被弃的悲愤不平。题材大致有四类：一是抒发自己和朋友遭受迫害的愤懑，代表作是《赠白马王彪》，全诗共分七章，愤怒控诉曹丕集团对兄弟诸侯的残酷迫害，抒发了自己悲痛、恐惧、凄凉、愤慨等种种曲折复杂的感情。二是传统的闺怨题材，借思妇、弃妇的怨叹，表白自己的心迹，如《七哀诗》代思妇立言，从中寄托了自己的遭遇和感慨，情思哀婉，想象新奇。三是直抒胸臆，述怀言志，如《杂诗》其五直抒慷慨报国不甘闲居的志向。四是游仙诗，除少数表现求仙得道、服食长生外，大都是借游仙这一传统题材曲折表达了因人世险恶而隐居避世的向往。曹植诗歌文采气骨兼备，取得了很高的成就。他对诗歌的题材和内容进行了多方面开拓，艺术上注重声色的描绘和技巧的琢磨，富于创造，大大丰富了诗歌的艺术表现力。钟嵘《诗品》评价其诗曰：“骨气奇高，词采华茂，情兼雅怨，体被文质。”曹植又是第一位大力写作五言诗的文人，现存诗中有三分之二是五言诗。他以自己杰出的创作为我国古典诗歌从朴质无华的民歌向体被文质的文人诗转变做出了巨大贡献，不愧是建安诗坛最杰出的代表。曹植散文抒情言志文辞剀切，叙事论理简练有序，具有强烈的感情色彩，引经据典，仿佛信手拈来，运用自如。如《求自试表》博引典实，反复设喻，层层推进，情词恳切，将自己的一片忠心和急于事功之情抒发得既淋漓尽致又委婉曲折。艺术形式上，使用了大量骈俪句式，但能骈散相间，句子长短参差，错落有致，因而工整而无萎弱之弊。其《洛神赋》是黄初三年（222）曹植过洛水时想起洛水之神宓妃的传说，有感而作。全篇笔触细腻，文辞艳丽，惟妙惟肖地刻画了神女美好、灵动而又虚无缥缈的形象，淋漓尽致地抒发了人神相遇而不能交接的无尽愁怨和可望而不可即的怅惘。

建安七子

孔融(153-208)

孔融，家学渊源，他是孔子的二十世孙，鲁国曲阜人。他年少时曾让大梨给兄弟，自己取小梨，因此名垂千古，这也就是『孔融让梨』的故事了。早年加入讨伐董卓行列，后来为曹操办事，但因劝阻曹操攻打刘备而被处死。为建安子子之首，文才甚丰。现存作品只有散文和诗。散文如《荐弥衡表》、《与曹公论盛孝章书》辞藻华丽，骈俪气息较多；《与曹操论禁酒书》则有诙谐意味。其《杂诗》第二首，以白描手法写丧子之痛，哀婉动人。孔融其实家学渊源，他是孔子的二十世孙，鲁国曲阜人，后来为曹操所用。

陈琳（？ -- 217）

陈琳（？ -- 二一七年）字孔璋，广陵（今江苏江都）人，为建安七子之一，擅长章奏书记。《饮马长城窟》为他的诗歌代表作，假借秦代筑长城故事，揭露当时繁重的徭役给民间带来的苦难，尤为深刻。

王粲(177-217)

王粲子仲宣，山阳高平（今山东邹县）人，为建安七子之一，并在七子中成就最高。他的《七哀诗》和《登楼赋》最能代表建安文学的精神。《七哀诗》之一（《西京乱无象》）写他由长安避乱荆州时途中所见饥妇弃子场面，深刻揭示汉末军阀混战造成的惨象及人民深重灾难，使人怵目惊心。《登楼赋》是荆州时登麦城城头所作，主要抒发思乡之情和怀才不遇的愁恨，富于感人力量，是抒情小赋的名篇。

徐干(171-217)

徐干，字伟长，北海（今山东潍坊市）人，建安七子之一。主要著作是《中论》，曹丕称赞此书『成一家之言，辞义典雅，足传于后。』（《与吴质书》）其情诗《室思》也写的一往情深。

阮瑀(-212)

阮瑀，字符瑜，陈留尉氏（今河南开封）人，建安七子之一。所作章表书记很出色，名作有《为曹公作书与孙权》。诗有《驾出北郭门行》，描写孤儿受后母虐待的苦难遭遇，比较生动形象。

应玚(-217)

字德琏，汝南（今河南汝南县东南）人，建安七子之一。擅长作赋，有文赋数十篇，代表性诗作《侍五官中郎将建章台集诗》，音调悲切。

刘桢(-217)

刘桢，字公干，东平（今山东东平县）人，建安七子之一。今存诗十五首，《赠从弟》三首为代表作，言简意明，平易通俗，长于比与。